Stella McCartney and Dries van Noten, following on the rosy heels of the Balenciaga show on Tuesday, are two designers who clearly belong in the camp that favors country-club garden prints.
Those at Ms. McCartney’s show Thursday morning came fast, furious and in three ways: as faint bouquets on layers of silk georgette, for minidresses; as a riotous wildflower motif on a silk voile jumpsuit; and as a woodblock-like paisley on crepe de Chine, in a short coat and a long dress that dangled from minuscule shoulder straps. They looked delicate, not dainty.
For far too long, making pretty things has been a pursuit that designers have treated derisively, sometimes claiming to do so with a sense of irony, favoring the jolie laide (or pretty-ugly) or masking a floral print beneath a black motorcycle jacket. But Ms. McCartney’s designs seem increasingly sincere, without cynicism toward clothes that may be either too girly or ones that customers actually want to wear.
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